Saturday, 19 November 2016

assignment of paper no 10

    

                       Assignment
Name: Trivedi Disha Hiteshbhai
Paper no: 10
Topic: Earnest Hemingway’s fictional are and philosophy in ‘old man and the sea’.
Year: 2015-2017
M.A.Sem=3
Submitted to: Smt. S.b.gardi department of English m. k. Bhavnagar University

Topic: Earnest Hemingway’s fictional are and philosophy in ‘old man and the sea’.
v About Author:
Earnest Miller Hemingway (July 21, 1899 – July 2, 1961) was an American novelist, short story writer, and journalist. His economical and understated style had a strong influence on 20th-century fiction, while his life of adventure and his public image influenced later generations. Hemingway produced most of his work between the mid-1920s and the mid-1950s, and won the Nobel Prize in Literature in 1954. He published seven novels, six short story collections, and two non-fiction works. Additional works, including three novels, four short story collections, and three non-fiction works, were published posthumously. Many of his works are considered classics of American literature.
v His work:

ü  Novels

·         (1926) The Torrents of Spring
·         (1926) The Sun Also Rises
·         (1929) A Farewell to Arms
·         (1937) To Have and Have Not
·         (1940) For Whom the Bell Tolls
·         (1950) Across the River and into the Trees
·         (1952) The Old Man and the Sea
·         (1970) Islands in the Stream
·         (1986) The Garden of Eden

ü  Non- fiction

·         (1932) Death in the Afternoon
·         (1935) Green Hills of Africa
·         (1962) Hemingway, The Wild Years
·         (1964) A Moveable Feast
·         (1967) By-Line: Ernest Hemingway
·         (1970) Ernest Hemingway: Cub Reporter
·         (1985) The Dangerous Summer
·         (1985) Dateline: Toronto
·         (1999) True at First Light
·         (2005) Under Kilimanjaro

v ‘old man and the sea’ critically in the context Earnest Hemingway’s fictional art and philosophy:
 
ü        ‘Old man and the sea’ is a famous novel written by Earnest Hemingway. It is a novel with simple story of a simple fisherman, who finds himself unfortunate as he had no catch for 84 days, but he doesn’t get discouraged and goes on a venture again. This novel reflects the personality of the author himself.
ü  Hemingway wants to join the army but he was not selected due to an eye injury that he suffered as a young boy. Though he was rejected, he was willing to wage a war and so decided to travel overseas as a Red Cross ambulance driver. Hemingway was wounded in Italy during following his duties just before he turned 19. For his bravery, he was honoured by the Italians.
ü  When Hemingway returned to the U.S., he spent time in the Michigan woods; he recovered from his war wounds. Then he works as a reporter in Toronto. But soon he got tired and dissatisfied of his North American life and so he moved to Paris, as a foreign correspondent for the ‘star’ he came in contact with the wing of fellow Americans Gertrude stein and Ezra pound. He was greatly influenced by them. He focused his attention on creative writing rather than reporting. He wrote a collection of short stories. ‘In our time’ in 1925. Is first novel ‘the sun also rises’ was published in 1926. He achieved a great fame at the age of 27.
ü  Later he married and divorced three times. In 1930s he spent time in Spain and Africa and archived reputation as a Sportsman and athlete. He fought bulls in Spain, hunted in Africa and died fishing in Florida. The central character of the old man and the sea Santiago was based on someone he encountered when he was finding on the Gulf Stream out of his liking for adventure. When he was on the boat, he and his friend Carlos met a fisherman and a boy being dragged through the sea in a rickety boat, struggling against a huge fish. Even when Hemingway and his skipper offered help, the old man refused. This episode took a form of novella later on.
ü  The story of the old, brave fisherman also reflects the author himself according to some critics; a critic compares Hemingway’s with Santiago and his work as marlin. Others found it as Hemingway’s love for gallantry. A critic said that Hemingway wandered the world “in search of flame of spirit in men and beasts”. In the present novel, the flame is found as a Characteristic of both Santiago and the marlin.
ü  In 1942, Hemingway went on a voyage voluntarily with his fishing boat for navy projects off the west coast of Cuba. It was a mission for destroying U-boats. He also served as a correspondent in the Spanish civil war. In 1944, he worked as a correspondent and went on mission with royal air force and then joined the first army. He suffered injuries during the Second World War
ü  After the war, Hemingway lived in Havana until Fidel Castro’s revolution forced him out of the country. ‘Old man and the sea’ was Hemingway’s last published work. He received the Nobel Prize in 1954.
ü  The novel ‘old man and the sea’ represents what Hemingway had once witnessed but we can see from his life that it also reflected in some or the other way his own personality. His sense of adventure, courage, patience, capacity to suffer- all these are reflected in the character of the old man Santiago- the sailor. The incident that he observed in the sea once became the base for this novel.
 
v  Major themes of ‘old man and the sea’.
Hemingway discusses various themes in this novel. Let us discuss them in detail.
1.       Unity: unity is the one of the major theme of the old man and the sea. Hemingway depicts connections between Santiago and his natural environment including fish, birds and stars etc. He establishes connections between Santiago and all his brothers. He depicts ‘heart of a turtle eggs for strength, drinking shark liver oil for health etc. Author also presents contadictionary elements as aspects of one unified whole. He depicts sea as kind and cruel feminine and masculine. He writes that the make shark is noble but cruel. For Santiago, success and failure are equal facets of the same existence. He finds himself as a part of nature rather than an external competitor.
2.       Heroism: triumph amidst adversity is the heart of heroism. Santiago is a heroic figure. For Hemingway vision of heroism is Sisyphean that requires continuous labour. What any hero does is to face adversity with dignity and grace. Santiago says that ‘man is not made for defeat...a man can be destroyed but not defeated.
3.       Manhood: it is one of the themes in the novel. Hemingway’s vision of manhood is very much close to that of heroism. For him to be a men means to behave with honour and dignity. A man does not submit to suffering. He accepts his duty without complaint. He must display maximum self-control. Feminity is represented in the novel by the sea which lacks self control. The marlin is masculine and so it is referred to as ‘great, beautiful, clam and noble’. Santiago represents how to live life heroically and in a way befitting a man.
4.       Pride: Hemingway also introduces pride as an important theme. A brave man like Santiago must be proud of his actions. It is his pride that makes him travel far out into the sea. He goes beyond all the people and catch the marlin. Santiago calls marlin his brother but kills it for pride. May be he pays the price for his pride by losing marlin later on. 
5.       Success: Hemingway refers to different types of success. There is outer, material success and inner means spiritual success. In santiago’s case, there is no outer success, Santiago represents a triumph of victorious spirit over exhaustible material resources. Such spirit is full of heroism and manhood Santiago loses the big catch but heroically. So, it shows inner success over the outer one.
6.       Worthiness: being heroic does not mean possessing only qualities but demonstraton of such qualities of heroism and marline through actions. Santiago is obsessed with proving his worthiness amides all around him. He has to prove himself before the boy. He has to prove himself to the marlin saying that he will kill him in all the greatness and glory. He wants to endure. So, one’s worthiness has to be demonstrated through worthy and noble actions.  

 Hemingway has treated pride in the novel ‘old man and the sea’. Certain critic say that later he gets punishment for his pride but his pride motivates Santiago to do the following things.
1)      Keep on feeling after 84 fish less days.
2)      Keep on fighting the marlin despite intense suffering.
3)      Keep fighting the sharks without hope to win.
v Work cited:

https://en.wikipedia.org/wiki/Ernest_Hemingway_bibliography
classnote



assignment of paper no 9

                    Assignment
Name: Trivedi Disha Hiteshbhai
Paper no: 9(modernist literature)
Topic: Thematic reading of the wasteland and concept of Da.Da.Da.
Year: 2015-2017
M.A.Sem=3
Submitted to: Smt. S.b.gardi department of English m. k. Bhavnagar University


Topic: Thematic reading of the wasteland and concept of Da.Da.Da.
Ø  Brief summary of the Wasteland:

The Waste Land is a long poem by T. S. Eliot. It is widely regarded as one of the most important poems of the 20th century and a central text in Modernist poetry.[2][3] Published in 1922, the 434-line[B] poem first appeared in the United Kingdom in the October issue of The Criterion and in the United States in the November issue of The Dial. It was published in book form in December 1922. Among its famous phrases are "April is the cruelest month", "I will show you fear in a handful of dust", and the mantra in the Sanskrit language "Shantih shantih shantih".
Eliot's poem loosely follows the legend of the Holy Grail and the Fisher King combined with vignettes of contemporary British society. Eliot employs many literary and cultural allusions from the Western canon, Buddhism and the Hindu Upanishads. Because of this, critics and scholars regard the poem as obscure. The poem shifts between voices of satire and pfeaturing abrupt and unannounced changes of speaker, location, time and conjuring of a vast and dissonant range of cultures and literature.
The poem's structure is divided into five sections. The first section, The Burial of the Dead, introduces the diverse themes of disillusionment and despair. The second, A Game of Chess, employs vignettes of several characters—alternating narrations—that address those themes experiential. The Fire Sermon, the third section, offers a philosophical meditation in relation to the imagery of death and views of self-denial in juxtaposition influenced by Augustine of Hippo and eastern religions. After a fourth section that includes a brief lyrical petition, the culminating fifth section, What the Thunder Said, concludes with an image of judgment.

Ø  The Wasteland poem divided into five parts:
1.       The burial of the dead
2.       Game of the chess
3.       The fire sermon
4.       Death by water
5.       What the thunder said

Ø  Use of myths in the wastland:
Jessie Weston’s from ritual to romance: myth/legend of holy grail (with spear)  and fisher king the grail and story is the restoration of a fisher king and thereby of the fertility of a wastland, the lance and the grail itself being phallic symbols.
James Frazier'sthe golden bough: myth of vegetation- birth-death-rebirth
·           The sick fisher king, his impotency and his waste & barren land symbolizes, the sick soul and the desolation of his material life.
·           In the legends which she treats in this book, a land has been blighted by a curse. The crops do not grow and the animals cannot reproduce. The plight of the land is connected with the plight of the lord of the land fisher king.
·           The cruse can be removed only by the appearance of a knight who will ask the meaning of the various symbols which are displayed to him in the castle. The shift in meaning from physical to spiritual sterility is easily made, and was as a matter of fact made in certain of the legends. As Eliot has pointed out, knowledge of this symbolism is essential for an understanding of the poem.
Ø  Myth of tiresias:
King Oedipus of Thebes, his blindness and gift of prophesy- life of man and woman.
Ø  Biblical myth:
Wasteland of Emmaus mentioned in ecclesiasts and Ezekiel (Old Testament).
T.S.Eliot has used a number of devises to impart of unity to this poem
1.       Tiresias as a unifying link:
a)        Tiresias- a mythical character: tiresias, in Greek mythology, a seer, or prophet, from Thebes, said to have been struck blind by the goddess Athena because he had seen her bathing. Athena compensated tiresias with the gift of prophecy. According to another version, after separating a pair of snakes that he found copulating in the road, tiresias was for a time transformed into a woman. Later, having become a man again, he was asked by Zeus and Hera, king and queen of gods, to tell which sex had a more pleasure in love. When he replied that woman had nine times as much pleasure as man, Hera in anger, blinded him, but Zeus granted him long life. Tiresias played a prominent part in theben legends, delivering prophecies to Oedipus, king of Thebes.
b)        Importance of tiresias: he is connecting link between past and present. He is bi-sexual, he has had most varied experience and so he symbolizes human consciousness, the knowledge and experience acquired by the race through the ages. He is a prophet and detached spectator who frequently comments on the human panorama that passes before his eye. He is also a fellow sufferer in the agonized drama of human life. He has the voice of senility the conscious humanity. Deploring its spiritual degeneration in the modern world. It is he who exposes by his comments the spiritual acuity the triviality, the monotony, the aimlessness of contemporary civilization it’s seek hurry and divided aims. He is unifying symbols, without whom the poem would be a phantasmagoria, a nightmare, a series of disconnected scenes and meaningless talks, incoherent and confused. Tiresias assumes many masks and his voice alternates with the voice of the inmates of the modern waste land, and at time with the ghostly voices from the past.
c)        Tiresias blind and spiritually embittered, old and impotent, who is the protagonist of the poem in the waste land , wandering about in great quest, stands for modern man in quest of true spiritual light and viable moral values.
d)        He is spectator and reporter of the happenings....
e)        What he sees is the substance of the poem.
f)         He had the burning experience of the fire of lust both as a man and woman, so he was the fittest person to comment on the same.
g)        The whole poem is Tiresias’s stream of consciousness.
2) Oneness of character and experience:
Not only does tiresias melt into the other character of the poem, but the melting of the characters, into each other is of course, as aspect of the general process. Thus Elizabeth, the hyacinth girl and three themes nymphs, melt into each other. The effect created is a sense if oneness of experience, and of the unity of all periods.
The same effect is created in the experience of the typist and the clerk or Mr.Eugenidezs. Similarly, the similarity of experience of the three waste lands with that of modern post-world war waste land also creates effect of the oneness of experience.
3) The mythical method:
The mythical method consists in seeking analogies for the present in the past.
Ø  The advantages:
a)        It provides a pattern, a way of controlling and ordering and giving shape to what is shapeless and chaotic.
b)        It provides a norm for measuring the extent of degeneracy in contemporary Europe.
c)        It shows that the present spiritual predicament is an ever-recurring phenomenon and so a universal significance is imparted to it.
d)        Myths form the part of collective consciousness. It helps poet in communicating his meaning with minimal explanation.
Refer to theme of sexual perversion and use of myth- three waste lands as objective correlatives to express poet’s emotion for the current waste land is Europe after world war.

Ø  Theme of life – death- rebirth:
Recurrent pattern runs though all myth: winter (death), April showers (rebirth). Fertility myth: harvest (death), rain (life). Myth of fertility god orisis the effigy stuck with grains- buried in water- spouting of grains signify rebirth. Christianity- crucify (death) of Christ and resurrection (rebirth)  to redeem humanity from sin.
4) The sequence of pictures- modern technique of cinematography:
a)        As in cinema-film there are a series of shots transcending time and place, meaningless if considered separately, but taken together forming a coherent whole.
b)        It helps in controlling time and space gives universal and permanent significance.
c)        Successive clippings, after a few reading fix themselves in memory and convey a coherent whole of meaning.
d)        This sequence of picture is central to the poem. The interpretations of these pictures and the other images and symbols may vary from person to person. Yet, what is definite is the vitality and realism of these pictures as they pass by like shots in a film.
5) Continuity of time: the development in modern psychology has changed the concept of time- the past, the present and the future are viewed as a continuing whole. Hence poet moves freely from the present to the past and to the future.
6) The structure:
The structure is that of spiral up and down. The poem proceeds with deeper and deeper probing into the modern malaise. Throughout the poem we come back to the same point, but at different levels. I.A.RICHARDS: music of ideas. This symphony of ideas move in spiral ups and downs to reach at the zenith in what the thunder said.

Ø  Concept of DA..DA..DA.. In a brief:
The wasteland contains several allusion- literary, religious, and mythical, etc. In Wasteland we find many lines which is referred to Indian history or religion. In last line of poem there we find he has concluded his poem with very famous ‘Sanskrit’ words “shantih shantih shantih”. For us this words shantih makes us very religious power. This word also consuls with ‘Sanskrit Upanishads’. Eliot uses the three ‘DA’ which is taken from “brihadaranyaka Upanishads”. Means...
ü  *Datta...  be giver
We have to be giver. For sake of humanity, lots of people scarified their life also because only bloods purify the evils. Humanity is survived only because of such people. So, it is said that
“Blood is thicker than water”
ü  *Dayadhavam... sympathies
Everybody in his prison because of self ego. And self is the key to come out from it but really it is very difficult task.
ü  *Damyata... self control
Everything is burning in wastland. Boat as body and finding and fished, through this we find that western culture has bad connection with sexual perversion and spiritual drought. So, self control is the most important thing in life.

References:
https://en.wikipedia.org/wiki/Setting_(narrative)

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Monday, 4 April 2016

presentation paper 8

deconstruction

Hello...
  according to Derrida deconstruction is a very hard term to define clearly. Derrida deconstructs the metaphysics of presence. that is to say that according to Derrida there is no presence or truth apart from language.There is no a-textual origin of a text. The author’s plan of a book is a text. His realization of the same book is another text. Its summary is third text. A text kindles a text and there is no truth beyond the text that the text seeks to represent or explain. There is no reality other than textuality. The textuality is the free play of signifiers. There is no signified that is not itself a signifier. 
   
      here i share one video which is totally based on Derrida's theory of deconstruction.
      



         He also gives an example of meaning of word in dictionary. he says that we never meets final meaning of the word it will always postponed into another meaning.
                                                                               


                                                                                                                            Thank you.....

paper no 7 Presentation

paper no 6 presentation