Saturday 19 November 2016

paper 11 Assignment


                                                Assignment
Name: Trivedi Disha Hiteshbhai
Paper no: 11
Topic: Notable postcolonial theorist and critics
Year: 2015-2017
M.A.Sem=3
Submitted to: Smt. S.b.gardi department of English m. k. Bhavnagar University

ü  Topic: Notable postcolonial theorist and critics
To understand post colonial study first we have to make understanding on what is colonial.
Ø  WHAT IS COLONIAL ?
Colonialism is the basis of the concept of mercantilism, which is an imperial idea that suggests that colonies exist for the benefit of the mother country and should be governed accordingly.  When a country develops colonies, or acquires them, it becomes an empire.  "The sun never sets on the British Empire" because at any given time, the sun was up somewhere in the world where a British colony existed.
There are other types of colonialism, such as economic colonialism.  When your economy is the dominant source of trade and jobs for another country or region, it could be said to be a type of economic colony of the larger one.
****http://www.enotes.com/homework-help/whatr-colonialism-66951
Ø  WHAT IS POST COLONIAL?
Post colonial is a term related to the post colonial literature which is the product of the third world countries which share certain formal and discursive features. They demonstrate ‘resistance’ and subversion’ of the imperial ‘centre’. The post colonial discourse refers to the writing and reading habits rooted in colonial psyche as a consequence of European expansion and exploitation of other worlds. Bill Ashcroft identifies three common features of post colonialism
“ The silencing and marginalizing of the post colonial voice by the imperial centre; the abrogation of this imperial centre within the text; and the active appropriation of the language and culture of that centre.
It means post colonial studies critically analyses the relationship between colonizer and colonized, from the earliest days of exploration and colonization. It focuses on the role of texts, literary and otherwise, in the colonial enterprise. It examines how these texts construct the colonizer’ superiority and the colonized inferiority. With regard to literature, it argues that ‘English literature’ and ‘American literature’ have in the post-war period been replaced by ‘literatures in English’ a term that captures the multicultural and multiethnic nature of current writing in English.
According to Homi Bhabha post colonial perspective emerge from the colonial testimony of third world countries and the discourses of ‘minorities’ within the geopolitical divisions of east and west, north and south. They formulate their critical revisions around issues of cultural difference, social authority and political discrimination in order to reveal the antagonistic and ambivalent moment within the rationalizations of modernity.
The major writers of post colonial discourse are from 1960’s and 1970’s; they are 2wilson Harris (Guyana) yambo ouologuem (Mali) Chinua Achebe (Nigeria) Soyinka, Derek Walcott (saint Lucia) who reflect their immediate cultural environment in their works, they also defined their culture and themselves in their own terms. They focused on cultural self-definition and political self-determination is their writing. It is noted that for these writers English is often their second language.
ü  NAME OF THE THEORIST AND CRITICS:
In English literature we find many postcolonial theorist and critics. From many I have taken one i will give some information about their life and works.
1)      Salman Rushdie :-

ü  Early life and family background

Rushdie was born in Bombay, then British India, into a Muslim family of Kashmiri descent. He is the son of Anis Ahmed Rushdie, a University of Cambridge-educated lawyer turned businessman, and Negin Bhatt, a teacher. Rushdie has three sisters. He wrote in his 2012 memoir that his father adopted the name Rushdie in honour of Averroes (Ibn Rushd). He was educated at Cathedral and John Cannon School in Mumbai, Rugby School in Warwickshire, and King's CollegeUniversity of Cambridge, where he read history.[4]His father Anis Rushdie was rusticated from the Indian Civil Service (ICS) after the British government found out that he had fudged his date of birth.

ü  Religious and political beliefs

Rushdie came from a liberal Muslim family although he now identifies as an atheist. In an interview with PBS, Rushdie called himself a "Hardliner atheist".
In 1989, in an interview following the fatwa, Rushdie said that he was in a sense a lapsed Muslim, though "shaped by Muslim culture more than any other", and a student of Islam. In another interview the same year, he said, "My point of view is that of a secular human being. I do not believe in supernatural entities, whether Christian, Jewish, Muslim or Hindu."
In 1990, in the "hope that it would reduce the threat of Muslims acting on the fatwa to kill him," he issued a statement claiming he had renewed his Muslim faith, had repudiated the attacks on Islam made by characters in his novel and was committed to working for better understanding of the religion across the world. However, Rushdie later said that he was only "pretending".
His books often focus on the role of religion in society and conflicts between faiths and between the religious and those of no faith.
Rushdie advocates the application of higher criticism, pioneered during the late 19th century. Rushdie called for a reform in Islam in a guest opinion piece printed in The Washington Post and The Times in mid-August 2005:
What is needed is a move beyond tradition, nothing less than a reform movement to bring the core concepts of Islam into the modern age, a Muslim Reformation to combat not only the jihadist ideologues but also the dusty, stifling seminaries of the traditionalists, throwing open the windows to let in much-needed fresh air. It is high time for starters, that Muslims were able to study the revelation of their religion as an event inside history, not supernaturally above it. Broad-mindedness is related to tolerance; open-mindedness is the sibling of peace.
Rushdie is a critic of cultural relativism. He favours calling things by their true names and constantly argues about what is wrong and what is right. In an interview with Point of Inquiry in 2006 he described his view as follows:
We need all of us, whatever our background, to constantly examine the stories inside which and with which we live. We all live in stories, so called grand narratives. Nation is a story. Family is a story. Religion is a story. Community is a story. We all live within and with these narratives. And it seems to me that a definition of any living vibrant society is that you constantly question those stories. That you constantly argue about the stories. In fact the arguing never stops. The argument itself is freedom. It's not that you come to a conclusion about it. And through that argument you change your mind sometimes. … And that's how societies grow. When you can't retell for yourself the stories of your life then you live in a prison. … Somebody else controls the story. … Now it seems to me that we have to say that a problem in contemporary Islam is the inability to re-examine the ground narrative of the religion. … The fact that in Islam it is very difficult to do this makes it difficult to think new thoughts.
Rushdie is an advocate of religious satire. He condemned the Charlie Hebdo shooting and defended comedic criticism of religions in a comment originally posted on English PENwhere he called religions a medieval form of unreason. Rushdie called the attack a consequence of "religious totalitarianism" which according to him had caused "a deadly mutation in the heart of Islam".
Religion, a medieval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today. I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. ‘Respect for religion’ has become a code phrase meaning ‘fear of religion.’ Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disrespect.
He strongly supports feminism.

Political background

In the 1980s in the United Kingdom, he was a supporter of the Labour Party and championed measures to end racial discrimination and alienation of immigrant youth and racial minorities.
Rushdie supported the 1999 NATO bombing of the Federal Republic of Yugoslavia, leading the leftist Tariq Ali to label Rushdie and other "warrior writers" as "the belligerati'". He was supportive of the US-led campaign to remove the Taliban in Afghanistan, which began in 2001, but was a vocal critic of the 2003 war in Iraq. He has stated that while there was a "case to be made for the removal of Saddam Hussein", US unilateral military intervention was unjustifiable.
Paul Auster and Rushdie greeting Israeli President Shimon Peres with Caro Llewelyn in 2008.
In the wake of the Jyllands-Posten Muhammad cartoons controversy in March 2006—which many considered an echo of the death threats and fatwā that followed publication of The Satanic Verses in 1989—Rushdie signed the manifesto Together Facing the New Totalitarianism, a statement warning of the dangers of religious extremism. The Manifesto was published in the left-leaning French weekly Charlie Hebdo in March 2006.
Rushdie and Bernie Sanders in 2004
In 2006, Rushdie stated that he supported comments by the then-Leader of the House of Commons Jack Straw, who criticised the wearing of the niqab (a veil that covers all of the face except the eyes). Rushdie stated that his three sisters would never wear the veil. He said, "I think the battle against the veil has been a long and continuing battle against the limitation of women, so in that sense I'm completely on Straw's side."
Marxist critic Terry Eagleton, a former admirer of Rushdie's work, attacked him, saying he "cheered on the Pentagon's criminal ventures in Iraq and Afghanistan". Eagleton subsequently apologised for having misrepresented Rushdie's views. At an appearance at 92nd Street Y, Rushdie expressed his view on copyright when answering a question whether he had considered copyright law a barrier (or impediment) to free speech.
No. But that's because I write for a living, [laughs] and I have no other source of income, and I naïvely believe that stuff that I create belongs to me, and that if you want it you might have to give me some cash. My view is I do this for a living. The thing wouldn't exist if I didn't make it and so it belongs to me and don't steal it. You know. It's my stuff.
When Amnesty International suspended human rights activist Gita Sahgal for saying to the press that she thought AI should distance itself from Moazzam Begg and his organisation, Rushdie said:
Amnesty … has done its reputation incalculable damage by allying itself with Moazzam Begg and his group Cageprisoners, and holding them up as human rights advocates. It looks very much as if Amnesty's leadership is suffering from a kind of moral bankruptcy, and has lost the ability to distinguish right from wrong. It has greatly compounded its error by suspending the redoubtable Gita Sahgal for the crime of going public with her concerns. Gita Sahgal is a woman of immense integrity and distinction.... It is people like Gita Sahgal who are the true voices of the human rights movement; Amnesty and Begg have revealed, by their statements and actions, that they deserve our contempt.
Rushdie supported the election of Democrat Barack Obama for the U.S. presidency and has often criticized the Republican party. In Indian politics, Rushdie has criticised the Bharatiya Janata Party and its Prime Minister Narendra Modi.
Rushdie was involved in the Occupy Movement, both as a presence at Occupy Boston and as a founding member of Occupy Writers.
Rushdie is a supporter of gun control, blaming a shooting at a Colorado cinema in July 2012 on the American right to keep and bear arms.
Rushdie supported the vote to remain in the EU during the United Kingdom European Union membership referendum, 2016


v  His works

Ø  Novels

·         Grimus (1975)
·         Midnight's Children (1981)
·         Shame (1983)
·         The Satanic Verses (1988)
·         The Moor's Last Sigh (1995)
·         The Ground Beneath Her Feet (1999)
·         Fury (2001)
·         Shalimar the Clown (2005)
·         The Enchantress of Florence (2008)

 

Ø  Collections

·         Homeless by Choice (1992, with R. Jhabvala and V. S. Naipaul)
·         East, West (1994)
·         The Best American Short Stories (2008, as Guest Editor)

 


Ø  Children's books

·         Haroun and the Sea of Stories (1990)
·         Luka and the Fire of Life (2010)

 

Ø  Essays and non-fiction

·         The Jaguar Smile: A Nicaraguan Journey (1987)
·         "In Good Faith", Granta, 1990
·         "The Wizard of Oz: BFI Film Classics", BFI, 1992.
·         "Mohandas Gandhi." Time, 13 April 1998.
·         Step Across This Line: Collected Nonfiction 1992–2002 (2002)
·         "A fine pickle." The Guardian, 28 February 2009.
·         "In the South." Booktrack, 7 February 2012
·         Joseph Anton: A Memoir (2012)

Ø  Awards

·         Aristeion Prize (European Union)
·         Arts Council Writers' Award
·         Author of the Year (British Book Awards)
·         Author of the Year (Germany)
·         Booker Prize for Fiction
·         Booker of Bookers for the best novel among the Booker Prize winners for Fiction awarded at its 25th anniversary (in 1993)
·         The Best of the Booker awarded to commemorate the Booker Prize's 40th anniversary (in 2008), winner by public vote
·         English-Speaking Union Award
·         Hutch Crossword Book Award (India)
·         India Abroad Lifetime Achievement Award (USA) ETC...



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